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drum miking techniques

drum miking techniques

Open and Closed Miking. In our walkthrough we processed every mic channel separately, but combining related drums/cymbals in group busses can be both convenient and sonically beneficial. Try using multiple triggers on your kick, snare and toms then blend them in with the original for additional character. This results in a powerful drum sound that’s hard to achieve through miking alone. Reverb inserts. However, miking in this way anticipates that the snare drum will be the focal point of your drum recording, panned to the center in the mixing stage. Unless you’re recording in a high end studio you probably won’t get the world’s most mind blowing drum sounds. But if the room your drums are being tracked in doesn’t sound good there’s not much point in miking it. While the idea when mixing a drum kit is to make the results sound like the bringing together of a set of simultaneously played elements to create a cohesive single instrument, there’s no point making life unnecessarily difficult for yourself in the name of keeping everything organic. However, I’ll always use a spare cable or rope to measure the distance of my left and right overheads. Receive news and offers from our other brands? Another method is to use something like Steven Slate’s Trigger on each of your drums with only the room mics of the sample being used. Mixing drums is a deceptively complicated business, with many different aspects to consider. Open Miking is just placing 1 or 2 overheads in the room to capture the entire set as one instrument. I’m not one to break out a ruler and go measurement crazy when miking drums. You will receive a verification email shortly. Don't miss the latest deals, news, reviews, features and tutorials. There a number of mic placement methods for miking a drum set with a small number of microphones, however my personal favourite is the Glynn Johns setup. Listen to some records that have a drum sound similar to what you’re hoping to capture. All rights reserved. © A combination of stereo overheads, close mics on each drum, as well as room mics seems to be the doctor’s orders for a modern, punchy drum sound. After years of successful work in a small home studio, I have a number of tips to share. However, this is a common misconception with beginner engineers. Miking tom drums is not required and often not an option when recording with limited inputs or microphones. The common belief is that due to the limitations of a beginner home studio, accurate drum sounds cannot be achieved. If you’re like most engineers, then the XY technique is probably the first stereo miking … It suggests that your second microphone should be placed three times the distance from the first microphone that the first microphone is from the source. They don’t consider early reflections from the drums that will be bouncing of the ceiling and into the overheads. All Rights Reserved. If your drummer neglected to hit an essential crash cymbal at the end of a key fill, don’t drive yourself mad trying to paste in a cymbal from elsewhere in the overheads track – just throw in a crash from your sample library (on a separate track, otherwise it’ll sound like a dodgy punch-in). Key the sidechain from your snare track and set the gate threshold and envelope parameters so that the synth only triggers when the snare hits, then fades out quickly and smoothly. Load any analogue synth with just a white noise oscillator active and tune it quite high. Computer Music Although this may seem obvious, many beginner engineers tend to think miking drums or mixing is most important. Who is the best acoustic guitarist of 2020. England and Wales company registration number 2008885. Although massive drum tones can be fun to achieve they will definitely distract from a folk or indie rock song. First is the dynamic mic, which will often be used on the snare, bass … The same trick can be used to add sheen to hi-hats and even – using a sine wave – sub-bass to kick drums. BA1 1UA. Although we used a single bussed reverb in our walkthrough, there’s no reason not to … An example of this would be phasing issues between your snare top and snare bottom microphones. Draw in a single MIDI note for the duration of your drum track and insert a sidechainable gate plugin onto the synth’s mixer channel. And don’t get too obsessed with aligning your tracks – they might sound better messy! It’s important to remember that the triggers shouldn’t be used to replace the original drums. AND OTHER HELPFUL RECORDING INSIGHTS, Posted on February 24, 2019 The short amount of time between the direct signal and reflections reaching your overheads them isn’t ideal. A drum set can be accurately captured with less mics when properly placed. If you choose to do this, though, be careful not to make it sound like each of your drums is in a different space to the others – unless you’re going for deliberate weirdness, that is. However, I find that often times these home studio drum recordings fall short due to self taught engineers who have not yet learned some key aspects to properly miking and tracking drums. Sometimes you need to make sacrifices of placement to allow the musician to play to the best of their ability. This is part of the sound of recorded drums, and it can help to create some cool tones as well as smoothen sharp transients.

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