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how many mics to record drums

how many mics to record drums

Lack of time is your biggest enemy in dialing in the proper sound. Back when I was recording to 8-Track analog tape, I recorded drums the same ways that I do today, which is to say using somewhere between 2 and 12 mics on the kit. Capture this, play back, fine tune mic positions and knobs. This approach catches the attack and removes the overwhelming brightness of the cymbals. Finally, the last two major factors that play a part in this approach to recording drums are 1) the quality of the drummer-since there are limited spot mics used, the drummer needs to be aware of his or her playing to ensure the kit is well balanced throughout the performance. It’s clearly a test of the ears, but if you can pass a cleaner more simplistic audio set to the mixing engineer it could have a huge impact on the cleanliness of the final sound. You as an engineer cannot hear what the drummer is hearing. I say "ways" rather than "way" because every song is different, every project is different, every drumset is different. - All Rights Reserved. This will give the mixer a huge amount of spatial flexibility even if the mics have a lot of bleed outside of their focused component. Every second that passes will increase ear fatigue and make it harder to discern sounds with clarity. Simply put: take the time to build up your feelings of positivity, optimism, and confidence before you start, and your performance as an engineer will be better, your experience will be better, and you can expect better results from your work. The first of these should be about 4 feet over the snare and it should capture the full sound of the drum kit. I was fading fast, isolating my loved ones, all to stop the bleed. And patience is easier if you are happy and enjoying what you are doing. The first dynamic microphone is placed 6-to-12 inches from the resonance head of the kick drum. Back when I was a junkie I’d do anything to get my next mix. Remember to […] Recording tips, tricks, and tools for better sound. Set up vocal mics in the positions where the other band members would stand (for example 8 ft away off at an angle) – these tracks can sound amazing. IMO, how many mics you use has nothing to do with whether you record on a computer or not. It’s critical that you have a reliable monitoring environment for both live and playback, even if headphones. Note: This Article is currently Under Edit. recording microphones. I have a sound card with 2 inputs and a small 4 input mixer. Gotta mic the kick! Thanks to Soundtoys and Steinberg for sponsoring this episode. We’re going to cover these things as well, including our pick for secret weapon when recording drums (hint: sub-kick mic). Cymbals can be the most nightmarish aspect for a mixer – especially if the drums don’t each have individual mics. 2) The space you are using to record the drums plays a significant role in how big the sound is. Almost every iconic drum sound was recorded in a unique way, often using a brilliant approach that only works for the person capturing the recording. At an Audio Engineering Society seminar in 2001, legendary engineer Bruce Swedien talked about a session he ran with the Count Basie Orchestra (with vocalist Big Joe Williams) in 1959. Perhaps, perhaps not, but it’s reasonable to think it would produce a better you – and a better you could produce a better bicycle and at the same time: a better experience. There is an interesting story about bicycle assembly instructions from a foreign culture, wherein it is noted that an important step to properly building the bicycle is to start with peace of mind. Really fast. View Profile View Forum Posts View Articles Dedicated Member Join Date Jun 2006 Location Florida Age 30 Posts 365 Thanks 0 Thanked 0 Times in 0 Posts Rep Power 4608. How many mics does it take to record an electronic drum kit? have drummer play a single drum while recording. Can you get away with 1, 2 or 4? http://www.youtube.com/watch?v=8X_kMItRI2s, http://www.youtube.com/watch?v=lUtkgV93oOI. Your goal is authenticity and clarity. Set up a pair of condensers pointing at the snare drum each the exact same distance from the snare, but 1 foot out from each of the drummers shoulders. Remember to […] Of course, we’re not all zen hippies here, but patience might very well be your strongest weapon against poor quality recording. Justin Colletti answers these questions and more in this week’s episode of the podcast. There are lots of options, but it’s also going to depend on which DAW (if any) you are using. If you are fortunate enough to have an endless mic locker at your disposal and the ability to track 68 or more channels at once, then you can do a stunning mic configuration, micing the top and bottom and center edge of each drum and cymbal as well as near and far and high and low room placements surrounding the kit from every angle. Set up microphone for a given drum (or drums). Instead, it was their ability and engineering vision that allowed them to ensure that the capture of the drums matched the awesomeness of the drummer performance. Required fields are marked *. Use a pair of subkicks 8 feet away from the kit on opposite sides, 2 ft from the floor. Upcoming Articles List – Updated April 2018. If you want to have some “effected” sound (perhaps boost the living bejeebers out of a snare) then make sure you start from an accurate representation of the entire drum kit. Do you need 16 mics to record drums well? when recording. So we are doing this one all at my small guitar studio. Also, we’re going to take the position that your preamps are set to deliver signals that are between 50% and 75% of your total channel bandwidth when a drum is played as loudly as possible – not quiet but nowhere close to loud enough to start clipping. Yet, it wasn’t some strange technique that made it work or we’d all be using only those techniques today. It means knowing your gear, and having the patience to make sure that what you hear in playback from your studio monitors (or headphones) sounds the same as what the drummer played – for each drum and cymbal in the kit – and more importantly, knowing when you failed to capture a genuine recording. The book “Zen and the Art of Motorcycle Maintenance” is a surprising treatise on quality among other things. (and you can). In this article, we are going to cover techniques used for recording drums with 1 mic, 2 mics, 3 mics, 4 mics, 7 mics, and what to do if you have more mics than drums and want to do something like 32 tracks of drum capture, as well as some gear options for gettin’ it done. Church Sound | Disclosure and PrivacyCopyright © 2020 Tiger Green Productions, LLC. Obviously, a lot of popular music has no natural drums – and in many cases, there never were drums – it’s all electronically produced. Hi, my name is Jake, and I’m a recovering mike-aholic. We’ll be writing another article covering quality but minimal monitoring in the near future – at least from the perspective of people new to recording. Sylvia Massy (Tool, Aerosmith, Prince) developed a technique recording drums using a Shure SM57 dynamic mic (probably because it fit) shoved into a 10 foot garden hose which circled the drums.

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